Hans von Aachen
was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.

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Hans von Aachen Kreuzigung Christi oil painting


Kreuzigung Christi
Year Deutsch: nach 1600 Technique Deutsch: Kupfer Dimensions Deutsch: 33 x 26 cm
Painting ID::  67959
Hans von Aachen
Kreuzigung Christi
Year Deutsch: nach 1600 Technique Deutsch: Kupfer Dimensions Deutsch: 33 x 26 cm
   
   
     

Hans von Aachen Vertreibung aus dem Paradies oil painting


Vertreibung aus dem Paradies
Year Deutsch: nach 1600 Technique Deutsch: Alabaster Dimensions Deutsch: H. 25 cm x B. 21,5 cm
Painting ID::  67993
Hans von Aachen
Vertreibung aus dem Paradies
Year Deutsch: nach 1600 Technique Deutsch: Alabaster Dimensions Deutsch: H. 25 cm x B. 21,5 cm
   
   
     

Hans von Aachen und auf der Reckseite die Entfesselung der Winde durch Aeolus oil painting


und auf der Reckseite die Entfesselung der Winde durch Aeolus
Year Deutsch: nach 1600 Technique Deutsch: Gemälde auf Alabaster Dimensions Deutsch: H. 38 cm
Painting ID::  67995
Hans von Aachen
und auf der Reckseite die Entfesselung der Winde durch Aeolus
Year Deutsch: nach 1600 Technique Deutsch: Gemälde auf Alabaster Dimensions Deutsch: H. 38 cm
   
   
     

Hans von Aachen und auf der Reckseite die Entfesselung der Winde durch Aeolus oil painting


und auf der Reckseite die Entfesselung der Winde durch Aeolus
Year Deutsch: nach 1600 Technique Deutsch: Gemälde auf Alabaster Dimensions Deutsch: H. 38 cm,
Painting ID::  68002
Hans von Aachen
und auf der Reckseite die Entfesselung der Winde durch Aeolus
Year Deutsch: nach 1600 Technique Deutsch: Gemälde auf Alabaster Dimensions Deutsch: H. 38 cm,
   
   
     

Hans von Aachen Matthias, Holy Roman Emperor oil painting


Matthias, Holy Roman Emperor
Year 1600-1625 Technique Oil on canvas Dimensions 104 X 80 cm
Painting ID::  68006
Hans von Aachen
Matthias, Holy Roman Emperor
Year 1600-1625 Technique Oil on canvas Dimensions 104 X 80 cm
   
   
     

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     Hans von Aachen
     was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.

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